Interactive readings

Here’s an activity I’ve used before and we did again today.  It takes advantage of the fact that nearly all of our freshmen and sophomores have their own computers.  Even without computers, this activity could be completed with paper and pencil.

I created a simple reading with recent vocabulary.  I left blanks in the story for students to fill in details.  Between paragraphs, I wrote instructions for students to add to the story.  These can be very detailed or open.  More direction = more correct language.  Less direction = more freedom for students.

Here are some examples of instructions from different readings today:

– Use “aba” verbs to state two more things that the main character used to do.  These must be “a” verbs.

– Write what he did when he behaved badly.  This action happened only once, so any verbs should end with “ó/ió”

– Write what the teacher said he will do in the future.  Use future verbs: infinitive + á

I really find that this type of direction is a meaningful way to practice grammar points.  At the end, I asked students to write four sentences about what happens next.

Students downloaded the document onto their computers, made the changes and additions and uploaded it to our school drop box.  I was able to project the versions of volunteers and read them as a class.

Here are the two readings we used today:

las metas – interactive reading (level 3)

Pat y Victor – interactive reading (level 2)

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Where do you come up with this stuff?

It’s a question I often get from students.  Where/How do I come up with the structures, stories and readings that we use in class?  I do my best to assure them that although things may get pretty silly in class and seem random, there is a purpose to all that we do, and a lot of thought goes into each lesson.  This post will be my first of a few that explore my process of developing class content.

First, a quick note on why I usually create my own content.  When I started with TPRS, I used pre-made resources.  They were good, but I moved away from them for a few reasons.  1. It was hard to stay relevant with material that was printed.  I’ve found it much easier to keep things personal and interesting when I create and update them.  2. My language goals are constantly being adapted.  Language evolves and I become more aware of what content is most valuable.  3. I love to create.  Story scripts, readings, activities.  I enjoy creating them, and I hope by doing so that I can foster creativity (a sometimes absent characteristic) among students.

Backward Planning

As with any method of teaching any content, backward planning is best.  For TPRS, it can be starting from a reading and deciding which structures need to be internalized to make it comprehensible.  It can be starting from a performance assessment and determining which skills and language are necessary.  I wish I could say that every one of my units is planned backwards, but sometimes I do build from the bottom up.

Structures

Sometimes the story determines the structures (certain content is needed to make a story flow), and sometime the structures determine the story (a story is created from structures that are important/valuable).  For a structure to be used, it must fit into at least one of the following categories:

1. high-frequency – Probably the most important.  I want to equip students with the ability to use the words, phrases and grammatical structures that are most often used.

2. story mover – Some structures may not be high-frequency, but they help move a story and get more meaningful reps for the high-frequency structures.  These are often funny, random terms.

3. grammatical focus – I don’t teach grammar with lists, rules and textbooks, but I do teach grammar – in meaningful, contextual situations.  Often, structures are used because they are a strong example of a grammatical focus.

Tips and ideas for structures

1. Keep an idea notepad.  In the same way a songwriter keeps a notepad (literal or virtual) to record ideas whenever and wherever they occur, I keep notes on my phone of structures that should be incorporated into class.  Sometimes inspiration hits while I am watching or listening to materials in the TL, and sometimes it hits at random inexplicable times.  Either way, I am ready for it.

2. Understand the value of quotes.  I often use quote structures as a way to practice first and second person dialogue and to mix tenses.  For example, I can work the future tense along with the past if I include the quote, “I will be an astronaut” into a story that occurred in the past.

3. Don’t try to do too much with each structure.  Long structures are fine.  Sentences even.  But it’s best not to try to incorporate too many new ideas in one structure.  If I use the structure, “His mother-in-law will be an astronaut” and “mother-in-law”, “will be” and “astronaut” are all new, it will be difficult to get plenty of meaningful reps on all of them.  Much depends on the other structures and how much time will be spent on the story or reading.

Grouping Structures

Sometimes the most difficult task is grouping structures and creating story ideas.  Usually, I take my list of structures I’d like to use (based on my final activity) and start to put them into groups of three based on rough ideas for a story.  As I do this and stories begin to form, I realize that I may need to adapt or add new structures.  Ideally, I end up with chunks of structures and a quick description of how a story might go.  For example;

used to play the guitar, she took from him, he was blind: A boy used to play the guitar.  His mom took it from him.  He took a guitar from a blind man.

I try to come up with quick ideas that would include a problem and a solution.  At this point, I also try to order the groups of structures in a way that one would lead into another.  For example, “he behaved badly” might come in a story before “his mom took his phone from him” so that I could connect the two stories.  Again, this task can be tedious and can take some time, but I love creating and wondering how each story will turn out in class.

The next step would be to plan out each story in more detail and create PQA questions and possibilities for input before the story.  More on that later.

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Using screencast-o-matic for an absent day

I was out of class on Friday for a professional day, and I decided to use screencast-o-matic in my place.  It was a nice way to include some input on a day without the usual source of input (me).  Based on the reaction from students today, it worked very well.  Here’s what I did:

1. I choose three structures that I could teach to various levels.  I knew I didn’t have time to create multiple videos, so I came up with structures that were not difficult but had not been a focus before.  The structures were:

es un placer conocerte – it’s a pleasure to meet you

igualmente  – likewise

Se portó mal – behaved badly

Se portaba mal – used to behave badly

¿Qué tal si . . .? – What if . . .

**5 is more structures than we would normally have, but there are really three sets of structures here.

2. I wrote a short story using the structures.

3. I created a Power Point presentation that included examples of the structures, personal questions and the story with images.   I included some silliness – Dora and Boots as guest teachers and some simple animation (multiple slides showing movement).

4. I narrated the Power Point, using my own voice in a microphone and screencast-o-matic.  It recorded every slide and everything I said.

5. I also left a slide with comprehension and extension questions.

6. Today, I was back in class.  We reviewed the structures with some personalized questions (Who behaved badly during the weekend . . . etc.)  We went over the question slide from Friday.

7. We did some practice activities with the structures and a couple short readings.  I spent time with the structures today because I knew it would be needed.  The video was effective, but not near as thorough as if I had been in class.

Here’s the video.  *Warning: It is a bit silly.  You could probably do better, but you get the idea.

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blind re-tells and textivate

I used blind re-tells in class today in levels 2 and 3 and was very pleased with the results.  In both classes, we started stories yesterday and finished them today.  In level 2, we were working with El chico perezoso buscó el pan and in level 3, Las metas de los niños.

After we finished the story in class with actors, I paired students up with one partner looking at the screen and one facing away from it.  I projected a written version of the story.  It was possible today because I had controlled each story a little more than I normally would.  (I stuck to the script.)  The student facing away from the screen retold the story while his/her partner jumped in with help when needed.  I was impressed at how well they retold the stories, and even more impressed by how good their partners were at offering just enough to keep them going.  It was easy for me to walk around and monitor each group.  After they finished, the partners switched roles.  It was easier for the second partners because they had seen and heard the story more times already, but no one seemed to mind.

The next step was to put the text into textivate and play with it a bit.  I only had time to get to this step in one class.  textivate.com is an incredible resource for stories.  It is super simple.  It breaks up any text into several possible word games.  It works especially well with a smart board.  Students can use their fingers to move parts of the story around and put them in order.

textivate

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Story script – las metas

Below is a story script I will be using soon.  I will use it and other stories/activities to emphasize the future tense.

Las metas de los niños

Era débil  – was weak

“yo jugaré para los Cleveland Browns” – I will play for the Cleveland Browns

logró su meta – achieved his goal

(ha logrado su meta – has achieved his goal.)

 

PQA/Pre-story ideas:

  1. Make list of guys/girls in class from weakest to strongest
  2. Discuss future plans/goals
  3. List goals of well-known people and ask if they have achieved them.  Make up silly goals for fellow teachers or celebrities
  4. Imperfect, preterite, present, present perfect, future comparisons of same verbs (jugaba, jugué, juego, he jugado, jugaré)

 

Había tres niños que se llamaban Andrés, Beto y Carlos.  Andrés era fuerte.  Beto era fuerte.  Carlos era débil.  Ellos jugaban al futbol americano.  Andrés y Beto eran buenos pero Carlos era malo porque él era débil.  Ellos asistían la escuela de East Canton.  Andrés y Beto eran populares.  Carlos no era popular porque era débil.

Un día en la escuela, la maestra le dijo a su clase, “Quiero que me digan tus metas para el futuro.”  Andrés dijo, “Yo seré el presidente de los estados unidos.”  La maestra dijo, “Buena idea.  Tú serás un buen presidente.”  Beto dijo, “Yo trabajaré en una empresa exitosa y yo viviré en una casa grande y mi esposa será muy bonita.”  La maestra dijo, “Muy bien.  Tú lograrás tus metas, Beto.”  Carlos dijo, “Yo jugaré para los Cleveland Browns.”  La maestra se río.  Ella dijo, “Tú no jugarás para los Browns.  Tú eres débil y siempre serás débil.”  La clase se río. Carlos empezó a llorar y corrió a la casa.

Carlos escribió su meta en su dormitorio (play/sing inspirational music here while he writes) – YO JUGARE PARA LOS BROWNS (Have him repeat the phrase many times, increasing the intensity each time).  Él practicó pero todavía era débil.  Carlos levantó pesas pero todavía era débil.  Un día el conoció a una bruja.  Ella le dio frijoles mágicos.  Carlos no era débil.  Era fuerte.

Hoy Carlos juega para los Browns.  Él logró su meta.  Andrés no logró su meta.  Él quería ser el presidente, pero él trabaja en Long John Silver’s.  Beto no logró su meta.  Él quería trabajar con una empresa exitosa y vivir en una casa grande con una esposa bonita.  Él vende perros calientes en la calle y vive en una caja con un gato.

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A few new twists on reading

We did reading activities in all classes today, and I tried a different strategy with each level.

Teacher Draw and Student Retell

This was not much different from what I’ve done before.  I sometimes have students draw details of a story and then use them to retell the story.  Today, I did the drawing.  Here are the steps from today.

1.  Students read individually and focus on comprehension.  They are permitted to ask questions.

2. Students read sections aloud while the teacher draws details on the board.  The teacher can also ask questions and circle at this point.

3.  Papers are collected and students retell story to partners based on drawings on the board.

-The small adjustment of me drawing allowed me to control the pace and do a lot of questioning as we went through the reading.  This worked today because the story had a lot of clear action/movement and not much dialogue.

Students share from multiple stories

As I was planning, I was debating between a couple different stories and which to use.  Then, I had an idea.  Why not use both?  It turned into a type of information gap activity and worked VERY well.  I printed out two stories and comprehension questions for each.  However the questions for story A were on the printout of story B and the questions for B were on A.

1.   Students read individually and focus on comprehension.  They are permitted to ask questions.

2. Pairs are formed – one student with reading A and one student with reading B.

3. Students are instructed not to speak English or show the paper to their partner.  (I use a “no-English” light and subtract participation points for any English used.)

4. Student A asks the questions from his paper, which pertain to story B.  Student B answers.  Then they switch roles.

5. At the end, each student must summarize his/her story to his/her partner in 5 sentences.

6. As a class, the teacher asks questions of either story to any student.

El museo de arte 

This was done with the second version of an embedded reading but could be used with any reading.  I printed out the text and numbered certain paragraphs.

1. Teacher reads aloud to class.

2. Single students translate for the class.

3. In pairs, students are assigned a paragraph from the story and must draw every detail as big and clear as possible.

4. Teacher hangs the drawings in order around the room.

5.  In pairs, students walk from drawing to drawing and talk about what they see in the drawing.  No English is permitted.

6. For the next day, drawings are scanned and projected and can be discussed, placed in order . . . etc.

-This could be adapted for any type of image that could hang around the room.  Students could walk around and discuss images they’ve not seen before.

 

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Tell a little more; ask a little less (but ask the right questions)

When I started with TPRS, I struggled with “asking” a story.  I would write out a script and try to stick to it without soliciting much student input.  I had to put a lot of effort into leaving stories open to the students.  Over the years, I improved at this skill.  The problem was that I focused on it for so long that I began “asking” too much and not “telling” enough.  Somehow, I got it in my head that everything should be asked and nothing stated.  I’ve realized recently that I need to provide base information first and then ask.  I also need to be more aware of which aspects need told and which can be open to student interpretation.  I would establish meaning with a few structures and begin asking very open-ended questions for the story.  One of two things would happen:

1. The students would give input and take the story in different directions.  Sometimes I could adjust, get the desired reps and keep students engaged.  Sometimes I could not.

2. Students would not answer the open-ended questions early; stories would stall and students would disengage.

They key is knowing when to ask and how to ask.  “Why” is a great question, but there are certain situations in which it doesn’t work.  I got into the bad habit of constantly asking “why” and then trying to circle based on student response.  Many times, I was hoping students would provide the same details that I had in my head.  They usually did not do so. Now, I’m spending more time on planning out the basics of a story and planning what and how to ask.  I’m not stripping the stories of student involvement as I once feared.  I am adding a bit more direction.

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Un accidente de autobús – story script

Here is another story script that I used recently.  I also created a page to share scripts here.

Un accidente de autobús

Target structures:

chocó – crashed

rompió el tobillo – broke his/her ankle

“así es la vida” – that’s life, such is life

Había un hombre que se llamaba David.  David era el chofer de un autobús.  El bus era grande.  Ayer, había 5 pasajeros en el bus.  Ellos querían ir a un concierto de One Direction.  David manejó el bus.  Había un problema.  David estaba cansado.  Él estaba cansado porque él tenía un bebé nuevo en la casa.  David chocó el bus.  Él chocó con un árbol.

Después del choque, David llamó al 911.  Él dijo, <<Ayúdame.  Yo choqué mi autobús.>>  El bombero le preguntó, <<¿Dónde chocaste? ¿Cuándo chocaste? ¿Por qué chocaste? . . . etc.>>  Un bombero llegó y vio a los pasajeros en la calle.

Pasajero #1 rompió la pierna.  El bombero le preguntó, <<¿Qué rompiste?>>  El pasajero contestó, <<Yo rompí la pierna.>>  El bombero le dijo, <<así es la vida>> y se acercó a otro pasajero.  Pasajero #2 rompió el brazo.  El bombero le dijo <<así es la vida.>>  Pasajero #3 rompió la espalda.   El bombero le dijo <<así es la vida.>>  Pasajero #4 rompió el tobillo.  El bombero le dijo <<así es la vida.>>   Pasajero #5 rompió el dedo en la mano izquierda.  El bombero lo ayudó.  Él lo puso en la ambulancia y fue al hospital.  Pero en camino al hospital, la ambulancia chocó.

Potential for expansión:

  1. Describe the passengers
  2. Different transportation / multiple cars and drivers
  3. The bombero should ask each passenger questions (tú/yo practice)
  4. Body part practice

 

PDF Version – Un accidente de autobús

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El niño travieso – story script

Below is a story script for a story about a mischievous child.  I’m using it now because I’ll be returning from a few days off for the birth of my son and the concepts will be relevant.  There are four target structures, but the last two are really variations of the same idea.  Anything underlined can be asked and changed by the class.  Many points can be emphasized, repeated or embellished.   Contact me for an English version.

El niño travieso

Target structures:

Dio a luz – gave birth

Era travieso(a) – was mischievous, troublesome

Estaba preocupado(a) – was worried

“no te preocupes” – don’t worry

 

Había una mujer.  Se llamaba Ana.  Ella era cariñosa, extraña y divertida.  Ella no era traviesa.  Ella estaba embarazada.  El padre de su bebé era su esposo, JuanJuan era extraño y travieso.  Ana estaba preocupada.  Ella no quería un bebé travieso.  Juan le dijo, “No te preocupes”.

Ana dio a luz a su bebé.  Ella dio a luz el lunes a las siete de la tarde en el hospitalUn doctor la ayudó.  El doctor era extraño y aburridoAna le dijo, “No quiero un bebé travieso”.  El doctor le respondió, “no te preocupes”.  Ana dio a luz a una hija.  Ella le puso el nombre – María.  La hija era traviesa.  Ana estaba preocupada.  Su esposo y el doctor no estaban preocupados.  Ellos le dijeron, “no te preocupes.”

Había otra mujer en el hospital.  Ella se llamaba JudyJudy dio a luz a una hija.  La hija no era traviesa.  La hija era perfecta.  Judy no estaba preocupada.  Ella estaba orgullosa de su hija.  Ana miró a su hija MaríaMaría era traviesa.  Ella miró a la hija de Judy.  Ella era perfecta.  Ana no quería una hija traviesa.

En la noche, Ana cambió las bebés.  La hija de Judy se despertó y dijo, “Tú no eres mi madre.”  Ana le dijo, “Shhh . . . no te preocupes.”  Al final, Ana tenía una hija perfecta y Judy tenía una hija traviesa.

*Additional content

1. For any use of “travieso(a)”, examples can be given of bad behaviors/why someone was mischievous

*Alternate character potential

1. Ana had other children

2. Others in the hospital gave birth

 

Word files with the story script:

El niño travieso

El niño travieso – 3 (a variation that uses “tenia celos” instead of “preocupado” for classes that are already familiar with “preocupado”.

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Twitter for the language classroom

I began using twitter this year with my classes, and I’ve been quite pleased with its effectiveness.  It allows me to remind students of assignments and announcements.  But more importantly, I can get Spanish language to my students at any time.  I’ve been off school for the last two days with the birth of our son.  I’ve been able to post updates in Spanish for students to see.  Of course, my tweets often contain recent vocabulary from class.  Students are interested because the information is relevant and interesting.  I love it because it’s all in Spanish.

For example, we’ve been using a lot of subjunctive with recommendations in one of my classes (te aconsejo que / te recomiendo que).  I tweeted today that I would give participation points to any student who tweeted advice for my new son.

The first step is to get students to follow the twitter account.  I offered extra credit for following and let them know there would be future opportunities for extra credit as well.  Most students were enthusiastic about following.  I created one account for each level of Spanish that I teach.   I use tweetcaster on my phone and tweetdeck on my computer to manage the multiple accounts.  I do not follow my students, and I make it clear to them that I will not follow their accounts or use twitter to “spy” on them.

Some ideas for twitter that I have used or hope to use:

1. extra credit/prizes – First person to ____ tomorrow gets ____ , Points for retweets

2. random TL updates – Students will read it.  Why not throw some recent vocabulary at them.

3. cultural tweets – follow Spanish speaking newspapers, sports teams, celebrities and retweet their tweets

4. reminders – assignments, due dates, things coming up in class

5. jokes

 

Other ideas?

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